Dedicated to Our Lady of Paris – V/130+P (+ 6th Floating Division) – 61/32 – Symphonic Cavaille-Coll Composite
Specification
DISPOSITION
GRANDE ORGUE
Violon-basse 16′
Bourdon 16′
Montre 8′
Flûte harmonique 8′
Bourdon 8′
Viole de gambe 8′
Prestant 4′
Octave 4′
Doublette 2′
Fourniture
Cymbale
Bombarde 16′
Trompette 8′
Clairon 4′
Trompette harmonique 8′
Clairon harmonique 4′
POSITIF
Montre 16′
Bourdon 16′
Salicional 8′
Unda maris 8′
Flûte harmonique 8′
Bourdon 8′
Prestant 4′
Flûte douce 4′
Nazard 2 2/3′
Doublette 2′
Tierce 1 3/5′
Fourniture
Cymbale V
Clarinette 16′
Clarinette 8′
Clarinette 4′
RECIT (enclosed)
4Cornet 8′ V
4Hautbois 8′
Quintaton 16′
Diapason 8′
Gambe 8′
Voix céleste 8′
Flûte traversière 8′
Bourdon 8′
Octave 4′
Flûte octaviante 4′
Quinte 2 2/3′
Octavin 2′
Bombarde 16′
Trompette 8′
Basson-Hautbois 8′
Clarinette 8′
Voix humaine 8′
Clairon 4′
CHAMADES
1re Trompette 8′
1er Clairon 4′
3Régale 8
SOLO
Bourdon 32′
Principal 16′
Montre 8′
Flûte harmonique 8′
Grande quinte 5 1/3′
Prestant 4′
Grande tierce 3 1/5′
Quinte 2 2/3′
Septième 2 2/7′
Doublette 2′
Plein Jeu
Fourniture
Cornet V
Cymbale
Cromorne 8′
2Trompette harmonique 8′
2Clairon harmonique 4′
GRANDE CHOEUR
Principal 8′
Bourdon 8′
Prestant 4′
Quinte 2 2/3′
Doublette 2′
Tierce 1 3/5′
Larigot 1 1/3′
Septième 1 1/7′
Piccolo 1′
Cymbale
Tuba Magna 16′
Trompette 8′
Clairon 4′
GRANDE PEDALE
Principal 32′
Contrebasse 16′
Soubasse 16′
Grosse quinte 10 2/3′
Flûte 8′
Violoncelle 8′
Grande Tierce 6 2/5′
Quinte 5 1/3′
Septième 4 4/7′
Octave 4′
Contre-Bombarde 32′
Bombarde 16′
Basson 16′
Trompette 8′
Basson 8′
Clairon 4′
PETITE PEDALE
Bourdon 8′
Flûte à cheminée 4′
Grande tierce 3 1/5′
Quinte 2 2/3′
Flûte 2′
Piccolo 1′
Tierce 1 3/5′
Larigot 1 1/3′
Fourniture III
Cymbale IV
Sordun 16′
Chalumeau 4′
Clairon 2′
RÉSONNANCE
Bourdon 16′ Bourdon 8′
Principal 8′ Prestant 4′ Doublette 2′
Flûte 4′
Neuvième 3 5/9′ Larigot 1 1/3′
Grosse Tierce 3 1/5′
Onzième 2 10/11′
Nazard 2 2/3′ Fourniture Cymbale
Tierce 1 3/5′
Flageolet 1′ Basson 16′ Basson 8′ Voix humaine 8′
AUDIO SAMPLES
| Alexandre Guilmant | Final de la 1ere Sonate |
| Jason Baruk | Puer Natus in Bethlehem, JKB 26 |
| Louis Vierne | Naiades |
| Léonce de Saint-Martin | Passacaille en Sol Mineur |
| Johann Sebastian Bach | BMV 533 Prelude and Fugue in E Minor |
| Charles Marie Widor | Toccata de la 5eme Symphonie |
| Louis Vierne | Final de la 3eme Symphonie |
| Jason Baruk | Sortie from Missa in Honorem BMV de Monte Carmelo |
| Wolfgang Amadeus Mozart | K 365 “Rondo” |
Composite Information
This composite is based on the 2015 version of the Cavaille-Coll organ at Notre Dame de Paris in Paris, France. It uses sample sets that resemble the organ in acoustics and sound, and the stoplist of the organ (2015) is nearly exactly replicated. This composite does not try to recreate the exact acoustics, but rather to give a powerful resemblance through the sample sets used. The reverb time is ca. 7 seconds. There are 5 manuals + pedal and a sixth floating division which may be coupled to any of the manuals. The keyboard compass has been extended to 61/32.
The composite has 5 screens – One with the organ console and background image (floating division stops), a stops page, a keyboards page, a wind page and an enclosures page.
Requirements
Requirements: Caen (SP), Santanyi (SP), Notre Dame de Metz (MDA), St Pons Demo (SP), St. Omer Demo (SP) , Rotterdam Demo (SP)
The organ in 16 bit, all release samples and sample loops is approximately 20 GB. The composite requires at least 6000 Polyphony for the full tutti.
Ordering
The Organ is now available for ordering, details below.
If V1 and V2 were already purchased, this composite costs 25 CAD. If only V1 was purchased, this composite costs 75 CAD. If only V2 was purchased, this sample costs 25 CAD.
Download Link ~ Please send a donation of $125 CAD to the paypal address below ~paypal.me/Carmelitemonk BEFORE downloading the organ. The donation is required by law before using our software. The download link can be found HERE.
Organa Reginae Caeli 